And maybe the little kid is still alive- she would only be like 92 years old.
Monday, August 23, 2010
I see dead people! In color. From 1922
Some footage from a test of Kodachrome color motion picture film circa 1922, a full 13 years before the first full length color motion picture was released. A bit dated (obviously), a bit camp, but kind of fun to see compared to our current polished digital world.
And maybe the little kid is still alive- she would only be like 92 years old.
And maybe the little kid is still alive- she would only be like 92 years old.
Friday, July 30, 2010
Friday, June 11, 2010
WIP it Good
Wednesday, June 2, 2010
Monday, May 17, 2010
Abridged
My “slideshow” Bridging the Gap did not make the cut for the SLPS IV, although my Caesar salad seemed to go over quite nicely. You can see my effort on the theme of Bridges below.
Friday, April 16, 2010
Tuesday, March 30, 2010
Mission Impossible?
A not so cheery “portrait” of the current state of the professional (and amateur) assignment and stock photography business here at the New York Times. Nothing we haven’t heard, experienced or feared, but it does show how forces of technology, the economy and human nature have all created a perfect storm that threatens to destroy our livelihood.
Pretty much anyone can take an occasional decent picture that is good enough for many stock uses, given enough time and some luck. But, if professional photography as a career falls by the wayside, who will clients call when they need an assignment done that requires experience, and lots of it?
As the entry point for creating decent images has dropped, and continues to drop, we as professional image makers really need to sell ourselves not on our abilities to get sharp well exposed images, as most point & shoot cameras can do that, not as the cheapest way to get images (although in the long run hiring a professional can often be the most cost effective), but on the strength and individuality of our visions, and on our professionalism and experience in getting jobs done on schedule, on budget (or under), and under the worst of conditions & circumstances.
Perhaps our only hope is to all become amateurs. Unfortunately, we will of course need to work another job or two just to support our new “hobby”!
Pretty much anyone can take an occasional decent picture that is good enough for many stock uses, given enough time and some luck. But, if professional photography as a career falls by the wayside, who will clients call when they need an assignment done that requires experience, and lots of it?As the entry point for creating decent images has dropped, and continues to drop, we as professional image makers really need to sell ourselves not on our abilities to get sharp well exposed images, as most point & shoot cameras can do that, not as the cheapest way to get images (although in the long run hiring a professional can often be the most cost effective), but on the strength and individuality of our visions, and on our professionalism and experience in getting jobs done on schedule, on budget (or under), and under the worst of conditions & circumstances.
Perhaps our only hope is to all become amateurs. Unfortunately, we will of course need to work another job or two just to support our new “hobby”!
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